![]() ![]() Yet, the piece also embodies many of the characteristics identified with the composer's emergent musical language in its emphasis on lyricism, inclusion of vocalists within instrumental chamber ensembles, affinity for Ibero-American poetry, and postserial conception. Composed in 1973 for the Dallas Public Library and Dallas Chamber Music Society, this work bears some of the hallmarks of Ginastera's commissions from the 1950s and 1960s that were associated with the Library of Congress and related organizations in the United States. more Alberto Ginastera's Third String Quartet exemplifies the continuities and discontinuities of the composer's final years in Switzerland. Additionally, she has served as a Contributing Editor of the Handbook of Latin American Studies produced at the Library of Congress and is a member of the Advisory Board for the German-language music reference work, MGG Online.Īlberto Ginastera's Third String Quartet exemplifies the continuities and discontinuities of the. She has contributed a chapter on Argentina and the Río de la Plata region to the collegiate textbook, Musics of Latin America, published by W. To date, she has authored over 60 publications, and her research has appeared in the Musical Quarterly, Journal of the Society for American Music, Yearbook for Traditional Music, Music Library Association Notes, Latin American Music Review, Die Musik in Geschichte und Gegenwart, and Grove Music Online. She is a three-time grant winner from the National Endowment for the Humanities and has received an NEH Fellowship and Summer Stipend for her research on Ginastera’s film music. She is now completing a second book, Revealing Screens: The Film Music of Alberto Ginastera, forthcoming from Oxford University Press. In 2010, she authored the book, Alberto Ginastera: A Research and Information Guide, which is the first comprehensive resource on the composer’s contribution in English. Her research focuses on contemporary Argentine musics, national identity, and film music. ![]() Deborah Schwartz-Kates is Associate Professor of Musicology at the University of Miami, where she also has served as Chair of the Musicology Department.
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